“When opportunity knocks, answer the door.” We’ve all heard this, right? Yes, it’s true. Sometimes through your own efforts and a lot of serendipity, opportunity does knock.
Some people miss it because they don’t hear the knock.
Some people miss it because they are too afraid to answer.
And a lot of people miss it because … well, I like how Herbert Prochnow says it: “The trouble with opportunity is that it always comes disguised as hard work.”
But there is another level far beyond answering the knock at the door.
It is the impossibly hard and very risky act of creating a door where one doesn’t exist. Answering opportunity’s knock is a matter of paying attention, perseverance and knowing how to grind. Creating an opportunity door requires all of those plus alchemy, audacity and a touch of madness.
Artists are creators of opportunity doors. Using existing materials, they create a portal to a place that didn’t exist before. To experience something truly artful feels spiritual, magical – because it is. More than anyone, artists seemed to be wired to create doors. This is why they often feel miscast and misunderstood in society. Many artists deal with depression, anxiety, isolation. Which turns out are some of the key materials of door making.
For entrepreneurs, crafting opportunity doors is the work of innovation. Using existing resources, they tap into an unspoken need and create a third way that didn’t exist before. In our work at Root + River, we refer to this as category design. When working with individuals, we help craft a “category of one” – the door to an idea that didn’t exist before. When working with brands, we help create a category for them to own – a big idea that transcends current offerings. In both cases, knowing your category gives your door making efforts a place to start and a point at which to focus on.
Crafting opportunity doors does take raw ability. It also takes the work of discovering or embracing those raw abilities. If you don’t accept your own gifts and talents, it’s virtually impossible to become a door maker. And you do need to do the hard work of turning your ability into expertise and competency. And, of course, it takes courage to be a door maker.
But you can’t stop there. This is why it takes an exceptional human to become a master craftsman of opportunity doors.
I have been privileged to know a number of sensei-level door makers in my life. They have these four common traits:
- They see the opportunity within the problem. There are lots of problem-solving experts. But the door maker is not motivated to just solve the problem. She wants to use the problem to create a door that didn’t exist before. This is what Sara Blakely did.
- They have a robust creative practice. They understand that door making requires a ton of creative energy and creative discipline. So they place a premium on spending their time developing and nurturing creative habits. They know a consistent, robust creative practice will always produce the fruit of new ideas, new ways of thinking.
- They have faith. For some door makers, faith can be directly related to religious or spiritual beliefs. But I’m more referring to the kind of faith that it takes to step into the void, to operate in the unknown. The kind of faith that embraces mystery’s role in creation. This is the kind of faith that encourages you to embrace your higher imaginations and doubt your lower impulses. This kind of faith only comes from within. It can’t be given, sold, borrowed.
- They are action-oriented. When door makers have a spark of inspiration, they take immediate action. Maybe they sketch something out. Maybe they do a little research. Maybe they make a prototype. Whatever the response, they don’t just sit and think about ideas. They do something with them. When they are stuck and don’t know what to do, they just create.
Every door maker I know or studied has these four traits. But they also all have a fifth trait that is expressly and specifically unique to them. Maybe it’s calmness under pressure. Maybe it’s being great at promotion. Maybe it’s financial acumen. Maybe it’s strategic thinking. Maybe it’s charisma. I’m not entirely sure what to call this fifth trait, but I’m quite certain it is the healthy incorporation of the ego into the door making process.
Who are door makers you’ve known? What traits did she or he have that I didn’t mention?